after a long summer, memoria recordings is back with a 3 tracks release of the romanian all-rounder marcman! three totally different tracks, each with its own story. this is how memoria works on her eps: dancefloor music, but also space for experimental sounds suitable for afterhours and special moments. with *inspection* by marcman the dutch label did it again.

as one of the more distinctive minimal house operators in these times, ion ludwig makes for a snug fit over at trelik towers, and with this three tracker its not hard to see why his records vanish quicker than you can say baby ford. 46 lj + felix ballad is a refined groover with a fine balance between gritty low end chunk and gossamer top-end, working subtle hits of bass and illustrious string sweeps into the mix to great effect. em carpet meanwhile darts out into more obscure territory, keeping the beats to a minimum and focusing on warm and fuzzy synth tones cycling

in the beginning, ekoplekz promised wncl recordings that, should he attempt to make any tracks for the club, he would get in touch. good to his word, the artist formerly known as gutterbreakz aka nick edwards has delivered this 6 track beast. it does rather beg the questions – which clubs has he been frequenting? and how do we get on the guest list?

revno return and how! the mysterious gino fontaine is unmasked - a nom de plume for non other than the chicken lipped, emperor machinist himself, andy meecham time and again he has proved his mettle, and it is safe to say this is an absolute killer, with esteemed gentleman of dance music, bill brewster having already picked up on lead cut *revnorev* for his acclaimed after dark (nightshift) compilation and quite right too, if you can find a better example of an anthemic light / dark chug-fest, we would be happy to hear it! the mix featured here is an exclusive version for this 12 inch alone! scorching bass pulses and atmospherics, powered by synthesized drums finally give way to a cool chicy guitar line and ymo style top lines for an epic space-disco finale… konkondo graces the flip, and could easily be a mysterious early 80’s cosmic holy grail with its gentle wave washes gradually unfurling into an mesmerising roland bassline and back again. a stunning release then, limited and lovely as ever - dont sleep !

a producer from maisons-alfort, france was too young to attend the nighttime parties but heard some msn releases, & made 3 jams that eamon & justin have been caning for months.

waterfront is called the next release by patrick arbez. straight known arbez-techno how we love it. it contains 2 original tracks and 2 remixes by felix bernhardt. that s enough to speak about cause its better to listen now!

the classic song of the siren is yet another sublime piece of deepest nyc house music from the legendary ronald burrell under his aphrodisiac alias. a stone cold nu-groove classic from 1990, this record has always been a firm favourite with discerning house heads & those in search of a more sublime groove. here, re-mastered & re-issued in its original form, song of the siren is a must have piece. a mysterious, melodic journey that transcends time, sounds fresh & works perfectly no matter how late or how early it is on the dance-floor.

nice price deal !!! thats how we like it! subtle and hard knocking grooves which will defo cause damage on the floors. new amazing wood n bass is here.

death of a cheerleader spielen indie rock mit einflüssen von postrock und doom. fuer dancing around the fire of volcano reiste die band nach stockholm, um mit cult of luna-drummer und soundengineer magnus lindberg (ef, grande roses) zusammen zu arbeiten. das ergebnis ist ein homogenes, natürliches und dunkles klangbild.

the original soundtrack from the 1977 disco classic - reissued on 180 gram double vinyl in gatefold sleeve with original artwork.

here s something to stir the loins of any discerning disco dj: a studio hook-up between veteran producer felix dickinson (fresh from his much-loved outing on futureboogie recordings), horse meat disco and one-time dfa man (and renowned multi-instrumentalist) marcus marr. there s an additional contributor, too: a mystery (presumably big-name) vocalist whose talk-box heavy delivery sits somewhere between prince, george clinton and pharrell. the track itself is something of a summer anthem in the making - an immaculately produced p-funk jam with the additional benefit of a shuffling, house-friendly groove. no details on how many copies have been pressed, either way, you d be well advised to snap up a copy while you still can.

after the success of the first ep on belief system records in 2013, ritzi lee has decided its time to deliver the next bomb! with radio signals ep ritzi is taking a deeper exploration on how certain signal sounds can influence space, and how he can apply this in techno music. the result (for now) is 4 tracks that cover different levels of suspence. >deflected< works like a frequency shield where no influences from outside can come through. >activate< is a subtile suspence build up to pass over the signals to infinity. >s.o.s.< is the tune to save our souls in techno music. and >code 754< is the technology to support intergalactic carrier wave transport.

after a best-selling debut record, low budget family - an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation return, and how! king solomons mines from simple symmetry is quite a classic in the making - a deceptively simple workout that reminds of mid 80s boyd jarvis jams, but shot through with 21st century twists and turns, that amplify those tough drum machines, anthemic afro elements, chants and marimba riffing. add a truly dynamic arrangement and you have a dancefloor dynamite! it is disco royalty on the remix tip as soft rocks & brennan green step up. as expected, given the incredible ingredients, the two of them shine. soft rocks set up a classic euro flavoured afro-trance workout, utilising the parts against a far more electronic and unrelenting backdrop, building to a sweaty, strobe-lit finale. brennan green may be less than prolific these days, but he is dependable as ever here. working up a synth-soaked, prelude style dub, whose classic elements will work the floor from here to zanzibar…

for nearly two decades, ploink has promoted techno nights around norway, presenting local talent as well as some of the biggest acts from around the world. we just really like techno. our definition of the genre is fairly wide though, constantly evolving, which we have attempted to reflect in this our first release, compiling four very different tracks by local producers from our hometown of bergen. setting up a label branch has for years been a burried, old plan. to us, techno parties, no matter how unique and brilliantly planned, have such a short lifespan, and as such it feels good to finally start releasing something that can get a life of its own, perhaps grow into something entirely different.

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

released in 1988, tougher than leather was the culmination of the rap/rock road that run-dmc travelled in since their earlier albums king of rock movlp675 and raising hell movlp633. its superb production, booming 808 beats combined with guitar samples, catchy choruses and smart rhymes made tougher than leather undoubtedly the best hip hop record that came out in 1988. great tracks include *mary, mary*, *runs house* and *i m not going out like that*. its equal appeal to hip hop as well as rock fans made the album a million seller, and underlined run-dmcs stature as living hip hop legends all over the world.
pressing on 180 gram audiophile vinyl.

*gussie presenting the right tracks* - the original 70s classic collection with 11 selected tracks on wax. a true parade of jamaican greats horace andy, dennis brown, gregory isaacs, augustus pablo, leroy smart etc. - the next decade gussie clarke went truly outernational with global hits galore but these are the crucial cuts that paved the way!

cromie s bubbling, spacious house sound first drew critical acclaim last year on the sold out 12- vines / pyrex (peach001), a collaboration with fellow la producer sage caswell. now, peach is thrilled to present cromies solo debut ep inner knows, a revved up set of idiosyncratic dancefloor weapons. how to stop a bulldozer, a rotating helix of synth stabs, warped vocals and low-end torque warrants it s epic title. elsewhere, flan functions like a potent concentrate of 22nd century funk. inner knows kicks off side b with a swirling late night house jam that flirts with the deeper corners of the genre. another fixture in la s electronic scene, suzanne kraft (running back, esp institute, pharoahs) closes out the record with a cubist reading of flan. on his solo debut, cromie s creative depth and attention to detail belies his freshness to the game. regular sets at las club called rhonda and various underground happenings in the sprawling southland have taught him some valuable lessons. if he can deliver this many distinct sounds on a single record, we cant wait to hear what’s next.

this is the first work published by subspecies, a new label of techno music based in spain. the north gate volume 1 wants to show how different artists like david meiser, ritzi lee, victor martinez or demon.i/o can work together and make a special release full of good sounds and good taste, enjoying themselves...

orion muzik #20 and iside music #1 as special double pack!
italian techy sounds at their best. danilo vigorito knows how to balance out his sound on this splendid 12. chordy but rolling techno patterns and atmospheric topsounds. this is hard to place in a box which makes it extra fun. where dark star is a somewhat mysterious and ethnic sounding opener the remaining two tracks are chordy techno at its best. danilo vigorito knows how to deliver.

quality collection of 80s soul duo collins & collins finest moments all loud pressed on 12 inch vinyl. with the original 7 inches changing hands for ridiculous money, grab this chance to get your hands on all these amazing tracks on one 12 inch.

a new light shines forth in the world of electronic music. as more and more indie labels emerge there is a need to be distinguished and stand out from the rest. typically those who do a great job at contributing a new and unique sound to our planets dance floors reign supreme. but how can one tell what is new and unique if they have not experienced these moments themselves? based on over 20 years as a dj and producer, paul loraine is proud to present his next leap in his career with a fresh new imprint, rhythm cult. sticking to what works best in clubland while avoiding trends and relying on music that really feels special, the spanish label proudly presents its first record in the catalog.

club illuminati: yall kno they exist. them behind tha scenes lurkin n plottin type of niggas. lucky for me i know them muthafuckers n how to exploit em!

friendship has always been one of the biggest gifts in my life. and everybody should have at least one true friend - and should be happy with this. this gift is one of the most precious - without a price tag. so if you didnt speak to your real friend or friends for a while - why dont you just take your phone and call him or her and say how important this friendship is to you?

after a bit more than a year of existence, clekclekboom recordings drops its first compilation, paris club music, bringing together the parisian crew to express how they feel about club music in their own personal way ... first released on a double vinyl lp, carrying exclusive material!

helsinki based house brother trevor deep jr. – extended part of the n s y d e family. on a serious dub mission. sublime acidic baseline and delay loops reaching out into eternal space. captured and ennobled on good old analog reel to reel tape. trevor knows how to make any dancefloor just a better place. executive producer: lil tony

good old aunt frieda likes it colorful, that’s pretty known in all parts of the world since the birth of frieda musik. and even our new children of the family are the same kind of colorful: frivolous is painting in all different colors without wasting any paint. his two originals are pushing with forward-thinking rhythms without forgetting how to get his audience into dreaming through his golden voice and his playful melodies. a very special schmankerl is his lullaby. a little more precise and determined comes dirty doering and sascha cawa’s upside down remix of “for the message” within this package. and not to forget there’s a digital bonus by our boys san marco & don ramon, who tell us: don’t stop mumble, if you wanna get this kind of (zurich)-groove. in our opinion: a perfect ep for endless summer nights.

following the first steps on his return to record production last year, greg wilson delivers the second release on his schooled in the classics imprint just in time for the arrival of the summer sunshine. while the first schooled release coupled 2 instrumental tracks, blue angel and 12-turn-13, weve taken things a whole stage further this time around, introducing vocals, courtesy of boss merseyside singers katherine & carmel reynolds, who are making their vinyl debut (and how!).

catalognumber 23 – what else is to say? while we are feeling the spirit of william s. burroughs blessing this very vinyl-enigma, &me went particularly mysterious ways to transcend the category - dance track - for this one. the meditation through bass had been the major discipline of some of his latest cuts, but what you will find on this a-side, one could certainly call the perfection of somnambulistic peaktime-fever. the way he is kneading the lower frequencies, how he is channeling the expansion and decay of bass must inevitably lead to some aroused moaning. good vocal-selection, for that matter! then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season. * locust* on b comes in with some smoothly looped e-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. but then again: rolling bass barrels like a signature and a defence breaking build up thats ensued by liberating pressure compensation in mighty breaks. two demonstrations of understated and sophisticated peaktime-emphasis, so to say. or differently put: a flawless double-a-side.

there is a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, *you make me real*, fused techno and classical. the 2011 follow-up, *mr machine*, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came *miami*, a darker, more song-based collection exploring the same man-machine ideas. the berlin trios instalment of the dj-kicks series does the same thing with a mix.
the double vinyl comes in gatefold sleeve and includes the dj kicks mix-cd.

debut solo album by swiss producer st plomb. it s like traveling the most sparkling of all worlds and experiencing ...
limited 200 copies only!

geenas 2nd offer on parisian imprint antinote. 3 introspective house tracks on a side and 3 versions of the same track on b side. this one will stay in your dj bag for a while for sure.

alland byallo and kenneth scott met in san francisco around nine years ago. since then they have collaborated on countless projects and events, leading up to scotts official partnership in the bad animal label. scott delivers his debut on ba in fine form, offering three original tracks that are perfect examples of his unique take on house music.

hypnotic reduced detroitish jackin’ 4-tracker from an inspiring artist that has also released on assemble music and platzhirsch. top notch stuff, lize again is prooving they defo know how to carefully select the soulfoul sounds. lize records is a berlin based underground label and artist collective that stands for a close-knit group of friends who started a label out of their idealistic love of music.

let -exu- under your skin and you will find a dream worth every breath and heartbeat it takes. this dream belongs to you now and it s up to you how you make it your own.

-exu- was written by andre kronert over a six month period. andre kronert, our hero of deep grooves, is a true knight of the electronic scene, a great supporter that never sleeps and always puts our music and our well-being first. without andre s helping hand and passion, things would surely not be the same.

andre, thank you for everything you do, for sharing your feelings and your dreams! stockholm limited

first pressing in bloody red, not transparent, 180g vinyl!

always hard at work unearthing interesting new projects or forgotten old gems, opilec music is now serving up a retrospective compilation of highly esteemed chicago producer jordan fields best work from 1986 - 1991. field has been active now for some thirty years (on labels like rush hour, headphoniq and mo wax) but his best work was arguably done in his first decade or so. now opilec boss i-robots has been given access to a collection of field s early recordings and has selected, compiled & conceived this project himself. it will be presented as a full-length album but will also arrive in a few select ep parts, with this being the first one

for those who caught furness four 4 the floor ep, and are familiar with his work, this release is further evidence of how much of a fledgling purveyor of deep grooves and heavy-hitting rhythms furness is.

french producer david k is ready to announce his debut album, out of range, an off-the-radar mixture of romantic melodies on drugs, rocking beats a la parisienne, and sounds to turn you on, released on tiefschwarzs ever reliable imprint, souvenir.

without a doubt, manfredi romano (aka dj tennis) is a busy man. co-founder and partner of life and death, a dj with a full schedule and someone who still always has his fingers (and mind) in multiple projects and multiple places at the same time. how he juggles it (or when he sleeps) are questions best not pondered. one thing those who know him well have surely noticed is that he does it all while constantly on the move. unfazed by the constant whirl of cities that pass him by, he somehow manages to remain focused throughout. no matter where he goes, he somehow always manages to remain local.

after last years album *love & devotion* the husband and wife duo of mike paradinas and lara rix-martin follow up with *weird drift*. the album shows just how much their ability to write confident and thoughtful pop songs has developed, while still being able to retain the sleepy cushion of steamy synth pop that made the first record so rewarding to listen to. this time album features the vocals of a vezelay, a.k.a. french singer and producer matthieu le berre, who brings a gentle poised falsetto to the duos productions along with a delicate but hopeful angst. the vinyl lp comes with download code for the full album.

benjamin quin and markus schwarzbrauer aka bara bröst prove how beautiful, erotic and clubby they can be. mat.joe , pammin and our karera act elanetique refine this beauty with their remixes. and because erotic is the shit furthermore we give you the release as vinyl.

skylax 136 arrives in the form of a killer ep from none other than lady blacktronika. most will know her from her own imprint, sound black recordings, where she has served up some of the best deep house and slo-mo beatdown to come from the us since the labels inception in 2010. such a stellar output has led many to refer to her as the first lady of both the genres she frequents, and with this new offering of pure-grade deep house, she shows no sign of letting go of that title.

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

butane teams up with andras toth for the *elements of truth* ep, set to be released via butanes very own alphahouse imprint. andrew rasse aka butane, launched the alphahouse imprint back in 2005 amidst the minimal explosion, working with the likes of troy pierce and quenum in the early stages. now, looking back on how things have progressed and seeing the imprint reach a thirty-release milestone here, the label has made quite the standing in its time, releasing cuts from luminaries such as skudge, ricardo villalobos and ion ludwig to name a few. here we see andras toth return to the label with the duos second collaborative ep following *futures* back in 2011.

praymond is a french artist and long time record collector. after years of travelling and playing across europe and america, he decided to release his first ep. this record is not just an elegant dj tool but its also a really smart take on how to bring a discrete touch of acoustic in a music usually dominated by analogue sounds. 3 tracks on this ep. huguette uses a lot of acoustic elements to deliver an epic dancefloor track chamalowe slows the tempo in order to make the pattern heavier timeless memory is a tribute to dub techno with an acoustic take, touch of platon records

without further ado, h+p would like to impress you with no eres tu. some of you may remember mamacita s guest appearance on auntie flos future rhythm machine? here we proudly present her debut release. weve sat on this record for so long that we ve often forgotten how great it actually is! amazing 80s chicago house via santiago, chile. one of the summer. we were concerned about anyone touching the flawless original, but argentinian, ana helder delivers a blinding job, at once retaining the best qualities of the og, whilst making it her own.

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

washington dc s dj nav immortalises his melodic grooves on hand-numbered 12 inch vinyl on the ever-growing scottish imprint, made fresh daily. classic sounds are prevalent through city limits, with strong garage flavours in the percussion. a moving bassline on your words keeps things interesting as it realms into more underground areas, bringing variety to the otherwise classic sounding ep. reflect is a beautiful example of how real house can sound when executed properly, it also provided a platform for danny j lewis to build his dancefloor-minded dub. mastered by the mighty nate tinsley productions in long island, ny. this one comes with a free sticker if that wasnt enough.

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.